3D Materials and Concepts
Thursday, May 1, 2014
Monday, March 31, 2014
Human Body Required Assignment
The Human Body Required Assignment
Work IN Process
BEGINNING PROCESS/RESPONSE:
Tuesday, March 25, 2014
Soap Carving Project
Step 1: Cut Ram in half with huge knife and subtract Ram's head
Step 3: Microwave the remaining pieces of soap along with adding butter and adding ink.
Step 5: Add Pepper, Chives, and Sea Salt and mix together
Step 8: Spray paint glass and add a shell on the outside, then add some of the soap mixture
Step 9: Add additional blue ink, and bacon bits and microwave.
Step 11: Add some of the soap mixture to glass contain and add wood glue on top
Step 12: Lightly spray paint white soap shavings and add a handful to glass container.
Step 13: Combine the mixture then subtract a handful
Step 14: Spray paint recycled glass bottle, and hot glue shells and remaining dark blue soap mixture
Step 15: Finished :)
Step 2: Microwave 3 soap pieces then subtract 4 small melted pieces
Step 3: Microwave the remaining pieces of soap along with adding butter and adding ink.
Step 4: Add Coconut Oil to scultpture
Step 5: Add Pepper, Chives, and Sea Salt and mix together
Step 6: Subtract a handful.
Step 7: Add wood glue to give it an extra stickiness
Step 8: Spray paint glass and add a shell on the outside, then add some of the soap mixture
Step 9: Add additional blue ink, and bacon bits and microwave.
Step 10: Mix it all together
Step 11: Add some of the soap mixture to glass contain and add wood glue on top
Step 12: Lightly spray paint white soap shavings and add a handful to glass container.
Step 13: Combine the mixture then subtract a handful
Step 14: Spray paint recycled glass bottle, and hot glue shells and remaining dark blue soap mixture
Step 15: Finished :)
Thursday, February 20, 2014
Suspended Short Story Project
Progress Sketches: A few of my utopian characters I sketched for the story "The Ones Who Walk Away From Omelas"
Wednesday, January 22, 2014
Why We Need Objects
1. The body is the primary mode of perceiving scale.
This reminds me of when people create the armatures and buildings for stop motion films. Tim Burton created the stop motion film Frankenweenie, and he explained that when building the armatures you have to base your scale the main characters. You can't make Frankenweenie larger than the dog house.
2. Capacity of objects to serve as traces of authentic experience.
When I went to eight different countries in Europe, I wanted a souvenir that I thought truly represented that country. When I came back to the states I used all the souvenirs to show my friends and family a little piece of my journey.
3. The souvenir reduces the public, the monumental, and the three dimensional into the miniature which can be enveloped by the body.
I feel like miniature has became super important because people constantly want to hold, wear, or be hands on with an object. Jewelry is a great example of something that can be enveloped by the body.
4. Nostalgia can not be sustained with out loss.
I think this is so true. During middle school and high school I would keep a memory box and anything I thought was significant enough I would put in the box. Whenever I go home over break I always look through it and reminisce, however that wouldn't be possible if I would have just stayed in high school forever. No thank you.
5. To have a souvenir of the exotic is to possess both a specimen and a trophy.
Possessing an exotic souvenir is most definitely like a trophy in a way of saying, "I have something one of a kind and you can't get it! So ha! Victory!" An exotic souvenir may also be considered a trophy through measurement of your success.
6. The place of origin must remain unavailable in order for desire to be generated.
Who wants to buy something special that's available to everyone at anytime? No one. The more rare and harder something is to get, the more desirable an object is.
This reminds me of when people create the armatures and buildings for stop motion films. Tim Burton created the stop motion film Frankenweenie, and he explained that when building the armatures you have to base your scale the main characters. You can't make Frankenweenie larger than the dog house.
2. Capacity of objects to serve as traces of authentic experience.
When I went to eight different countries in Europe, I wanted a souvenir that I thought truly represented that country. When I came back to the states I used all the souvenirs to show my friends and family a little piece of my journey.
3. The souvenir reduces the public, the monumental, and the three dimensional into the miniature which can be enveloped by the body.
I feel like miniature has became super important because people constantly want to hold, wear, or be hands on with an object. Jewelry is a great example of something that can be enveloped by the body.
4. Nostalgia can not be sustained with out loss.
I think this is so true. During middle school and high school I would keep a memory box and anything I thought was significant enough I would put in the box. Whenever I go home over break I always look through it and reminisce, however that wouldn't be possible if I would have just stayed in high school forever. No thank you.
5. To have a souvenir of the exotic is to possess both a specimen and a trophy.
Possessing an exotic souvenir is most definitely like a trophy in a way of saying, "I have something one of a kind and you can't get it! So ha! Victory!" An exotic souvenir may also be considered a trophy through measurement of your success.
6. The place of origin must remain unavailable in order for desire to be generated.
Who wants to buy something special that's available to everyone at anytime? No one. The more rare and harder something is to get, the more desirable an object is.
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